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671 articles
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Features

School Music Teacher or Star: €12.58 from Spotify – Really!?
Ten young people from Konstanz spent a year working on a play about their lives. At the premiere of “wir_jetzt_hier” at the Bodenseeforum it became clear: this …
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Reports

A Lesson in Feedback, Change and Digital Identity
For the 80th anniversary of the Bregenz Festival, Damiano Michieletto places a 700-square-metre mirror on Lake Constance – shattered into 86 shards. Verdi’s “La …
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Reviews

Triumphal March: Loyalty Between System and Conscience
Verdi’s “Aida” at Theater St. Gallen raises an old question that is more relevant than ever: who are we really loyal to at work – the system or our conscience?
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Features

Open Innovation: AI Doesn’t Always Have to Go to the Cloud. A Basement Will Do!
A hackathon in Konstanz’s Shedhalle shows how practical AI skills emerge – and why AI for sensitive data sometimes belongs on local servers rather than in the cloud.
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Reviews

Space Opera: Humanity in the Age of Efficiency
Theater Konstanz stages Büchner’s “Leonce und Lena” as a science-fiction show – and asks what happens to people in a world run on efficiency and profit.
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Reports

Shark Tank: Morality in the World of Work
Last night on the Münsterplatz: “The Threepenny Opera” at Theater Konstanz – a classic that could hardly be more topical. Brecht’s questions about morality, power and …
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Reports

Racism: A Chatbot for Those Affected
The AI chatbot Youna aims to give people affected by racism mental first aid. We took a closer look.
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Interviews

Confidence: On Growing and Carrying On, Even in Difficult Times
In her latest book “Zuversicht”, Spiegel bestselling author Katharina Afflerbach has written down the true stories of people who, despite hard times, find their own way …
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SponsoredGuides

Accounting: Tips and Tools for Greater Efficiency
Accounting plays a central role in everyday business and gives companies an overview of their financial situation. Efficient accounting is therefore a decisive factor in …
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Features

Staging Sasha Marianna Salzmann’s “Im Menschen muss alles herrlich sein”
The production of Sasha Marianna Salzmann’s “Im Menschen muss alles herrlich sein” and the stories of its four women moved me deeply. I would now like to share these …
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Reports

HAPPY END (keine Garantie) – Dazzling Chaos with a Profound Message
Felix Krakau’s “HAPPY END (keine Garantie)”, staged in the Werkstatt of Theater Konstanz, is an entertaining yet thoughtful and hope-giving production. Director Mia …
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Features

More Than Good Prompts: Innovation Manager for Artificial Intelligence
Artificial intelligence (AI) is reshaping our world of work. Nicolas Schuck is an innovation manager for AI. In this article he explains how he got his job and what his …
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Interviews

Tired of Zoom Calls: “Checking Emails at the Same Time Is Off-Limits”
Blame it on Covid. Video calls got a boost from the pandemic. But collective Teams or Zoom fatigue can be felt everywhere.
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Reports

A Devilish “Freischütz” in Bregenz – Success, Failure, Manipulation
Carl Maria von Weber’s *“Der Freischütz”* at the 2024 Bregenz Festival is far more than a dramatic love story in a mystical atmosphere. Anyone who looks at the …
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News

Premiere: “A Midsummer Night’s Dream” – Fleeting Relationships in the Digital Age
Premiere of Shakespeare’s “A Midsummer Night’s Dream” at Theater Konstanz. The ensemble sweeps the audience along from the start. Live music and projections create a …
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Reports

The Last Fire: A Play About Endings – and New Beginnings
In the latest production at Theater Konstanz, Dea Loher’s “Das letzte Feuer” takes on the challenge of bringing difficult and emotional themes to the stage. The play …
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Interviews

Between Presence and Results: The Shift to a Performance Culture
While DAX companies and large financial firms are ordering their staff back to the office, the motto at a medium-sized provider of digital training solutions is: 100 per …
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Reports

“My Heart Is Full of Na-Na-Na”: A Theatrical Exploration of Trauma and Masculinity
In a scenic metaphor for life’s unpredictable twists, Tearjerker, played by Jonas Pätzold, falls with broken wings straight out of his past Eurovision dreams into the …
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Interviews

Flexible, Healthy, Innovative: What Does the World of Work Look Like in 2024?
From the balance between “New Work” and the return to the office to the role of technology and the importance of flexibility in corporate culture – find out how IWG is …
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SponsoredNews

Wanna Bet? Between Thrills, Addiction and Common Sense
The easy accessibility and constant availability of online betting can lead to problematic gambling behaviour in some people. It is therefore crucial that both providers …
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Guides

Digital Dystopia “Kallocain”: Five Lessons for a More Self-Determined Future
The thematic parallels between the digital challenges of our time and Karin Boye’s play “Kallocain” are fascinating. Both worlds are about weighing up freedom, privacy …
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Guides

Online Meetings: How Eye Contact Builds More Trust
The importance of video conferencing has grown exponentially in recent years, particularly as a result of the coronavirus pandemic, bringing about a lasting global …
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Reports

Three Career Myths You Should Stop Believing
University or vocational training – a decision with no way back? And can you really only earn a good salary with an academic degree? A study by the Bertelsmann Stiftung …
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Features

More Than a Digital Classroom: Louisenlund and the Path to Individual Learning
Amid the digital transformation that is fundamentally changing how we work and live, traditional schools often cling to a model from 100 years ago. Dr Peter Rösner …

